The Little Things (2025) returns with a fresh yet haunting continuation of the psychological crime thriller that captivated audiences in its original release. Set several years after the unsettling events of the first film, the story follows former Kern County deputy Joe “Deke” Deacon, now living a quieter life away from the badge. But when a new string of eerily similar murders surfaces in Los Angeles — each echoing the infamous cold case that once consumed him — Deke is pulled back into the world he tried to escape. The city feels darker, the stakes higher, and the killer’s game far more personal.
This time, Deke isn’t alone. Jim Baxter, now a seasoned detective carrying his own scars from the past, seeks Deke’s help after receiving anonymous messages taunting him with details only the original killer could know. Together, they tread a dangerous path, uncertain if they’re chasing a copycat or if the nightmare they thought ended has somehow returned. Their uneasy alliance is marked by lingering mistrust, each man haunted by choices they made and truths they buried years ago.

The investigation takes them deep into the underbelly of the city — abandoned warehouses, seedy motels, and quiet suburban streets hiding unspeakable secrets. As the bodies pile up, the killer’s pattern begins to emerge, revealing not only a meticulous mind but also a disturbing knowledge of Deke and Baxter’s pasts. The deeper they dig, the more it becomes clear that they are not just solving murders, but being manipulated into playing a psychological game they cannot fully control.
Moments of quiet tension punctuate the relentless pace, allowing the audience to feel the weight of the detectives’ emotional burdens. Deke, still wrestling with guilt and regret, finds himself questioning whether his pursuit of justice is driven by morality or obsession. Baxter, on the other hand, struggles to protect his young family from the shadows creeping into his personal life. The killer exploits these vulnerabilities with chilling precision, turning their fears into weapons.

The film’s midpoint twists the narrative sharply, revealing that some of the evidence leading them forward may have been planted, forcing the detectives to reassess every step they’ve taken. This paranoia drives them further into moral grey areas, blurring the line between justice and vengeance.
By the explosive and unsettling finale, The Little Things (2025) delivers a gut punch that lingers, refusing to offer clean resolutions. True to its title, it’s the subtle glances, the half-truths, and the quiet moments of doubt that leave the audience unsettled long after the credits roll. The film proves that sometimes, the smallest details are the most dangerous — and the most haunting.





