“The Chronicles of Narnia: The Silver Chair” (2026) marks a triumphant return to C.S. Lewis’s beloved fantasy world, blending rich mythology with emotional depth and visual grandeur. Directed by Greta Gerwig, this new adaptation breathes fresh life into the timeless tale, bringing maturity, introspection, and visual sophistication to a story that has long been considered one of the darker and more mysterious installments of the Narnia saga. Rather than relying purely on spectacle, “The Silver Chair” captures the quiet beauty and moral complexity that defined Lewis’s original vision — a journey not only across lands but also into the human soul.
The story follows Eustace Scrubb (Finn Wolfhard), who returns to Narnia after the events of “The Voyage of the Dawn Treader.” This time, he is joined by his schoolmate Jill Pole (Mackenzie Foy), a spirited yet emotionally guarded girl struggling to find courage in both her world and the magical realm. Summoned by the great lion Aslan, they are tasked with rescuing Prince Rilian (Timothée Chalamet), the missing son of King Caspian, who has vanished while seeking vengeance for his mother’s mysterious death. Guided by the faithful yet pessimistic Marsh-wiggle, Puddleglum (voiced by Andy Serkis), the trio embarks on a perilous quest through Narnia’s forgotten northern territories — lands consumed by shadows, deceit, and despair.

As the journey unfolds, “The Silver Chair” shifts from an adventure to a story of endurance and faith. Each trial the travelers face — from the treacherous giants of Harfang to the eerie underworld of the Lady of the Green Kirtle — tests their trust, loyalty, and belief in themselves. Gerwig masterfully balances the film’s sense of wonder with existential tension, exploring the idea that true courage often comes from holding onto light when everything around you falls into darkness. The emotional dynamic between Eustace and Jill anchors the narrative; their growing friendship mirrors their gradual acceptance of their flaws and strengths, creating a story that feels deeply human despite its fantastical setting.
Visually, the film is a breathtaking masterpiece. Cinematographer Roger Deakins captures Narnia’s landscapes in sweeping detail — from misty mountains to glowing underground cities — using light as a metaphor for faith and hope. The production design evokes the mythic tone of classic fantasy while incorporating a grounded realism that makes the world feel lived-in and tangible. The score, composed by Alexandre Desplat, heightens the film’s emotional resonance, weaving ethereal melodies with somber undertones that reflect the story’s balance between beauty and melancholy.

Chalamet’s portrayal of Prince Rilian adds a tragic, almost Shakespearean dimension to the narrative. His performance captures the torment of a man caught between duty and delusion, manipulated by the seductive power of the Lady of the Green Kirtle, played with hypnotic menace by Eva Green. The confrontation between Rilian and the Lady is one of the film’s most powerful moments — a blend of psychological tension and moral clarity that underscores the story’s theme of truth versus illusion.
“The Silver Chair” succeeds not only as a continuation of the Narnia saga but as a film that stands on its own — intimate, spiritual, and visually poetic. Gerwig’s direction honors Lewis’s allegorical depth while crafting a narrative accessible to modern audiences. By the film’s poignant conclusion, as Aslan guides the heroes back to their world, the message becomes clear: even in the darkest tunnels, light and faith endure. “The Chronicles of Narnia: The Silver Chair” (2026) is a moving and majestic return to form — a film that rekindles the magic of Narnia while daring to explore its deepest, most human truths.





